Memory Leaks |
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MEMORY LEAKS Curated by Monica Espinel - 3 Nov to
4 Dec 2010 drawing, photography, sculpture, video and performance,
by: Angela
Freiberger, Auguste Garufi, Robin Graubard, Geneviève Maquinay, Lui Shtini, Julie Tolentino, Carlo Zanni and Krzysztof
Zarebski Curator’s Statement: Memory
Leaks is a personally charged show of works that were tattooed in my brain, a subjective
momentary ordering of memory, time and meaning. It is about making intangible memories palpable again; about images that ooze
into my consciousness without me calling them and how time rolls back precipitated by them, making other memories leak. The
show features drawing, photography, sculpture, video and performance, by Angela Freiberger, Auguste Garufi, Robin Graubard,
Geneviève Maquinay, Lui Shtini, Julie Tolentino, Carlo Zanni and Krzysztof Zarebski. I have always
been intrigued by the way some images or a body of work by a given artist affects me. I seek to understand why these
works linger in my mind amidst the swarm of images that I have experienced, why they keep coming back and how my remembrance
of them has mutated with time. In the process of retrieving, finding and reintroducing myself to the work or the artists for
the first time, it has been revealing to see the threads amongst them; how my recollections are often linked to the feelings
or memories triggered, thus providing vital clues to what has marked me in time and highlighting the importance of emotion
in the fixation and recalling of memories. Several artists perceive the body as a locus of art-making. Angela Freiberger’s
Strong Body is a celebratory video peopled with multiple self-portraits about her resilience as a sculptor and performance
artist, with sardonic notes on the complexities of religion and nationality. Julie Tolentino will
present a sculpture entitled LEAD:Led, a trace of a private performance (performed by Aliza Shvarts for curator Monica
Espinel) which touches on notions of loss and transition, evoking a presence through absence in the residual traces of the
live action. Krzysztof Zarebski’s Message 1 is built of readymade materials like snips of
magnetic tape and a telephone handset, which pertain to the sense of hearing but have long since lost their original appearance
and utility, yet preserve memories of their origins, potentially encapsulating some music, sounds, words. Other works touch on illness such as Carlo Zanni’s The Possible
Ties Between Illness and Success, an unsettling short fiction film that uses data flux from the Internet to generate
its visuals. It is inspired by John Haskell’s "American Purgatorio" and the work of psychiatrist Kay
Redfield Jamison who explored the relationship between manic-depression and success at large. A black and white portrait
by Robin Graubard, The Doll Hospital, is a gripping, intense image that portrays with absolute
intimacy and empathy the vulnerability of a girl waiting for surgery on a hospital bed in Sarajevo. Yet
others reflect on process, materials and juxtapositions. A sculpture installation by Auguste Garufi is composed
of Japanese paper and resin vessels with slight chromatic fluctuations. Together they elucidate the translucency and weight
of paper, and reflect on his process of making work that builds on itself, that is exposed to the elements, like our own lives.
Geneviève Maquinay’s sculptures are an archeology of objects arrested in their process of aging
and oblivion that touch and balance each other, taking on a new beauty and harmony, which transmits her sensitivity to commonplace
wonders. Lui Shtini’s uncanny drawings in a hyperrealistic style challenge our perception
of known objects by creating images with bizarre twists that awaken that language of the unconscious. - Monica Espinel |
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Please call or text 646-265-5508
for gallery hours.
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